La Mariée (Têtes à Massacre) / The Bride (Aunt Sallys) (1907)

Georges Rouault

oil on paper mounted on canvas

Tate, London, Liverpool and St Ives

La Mariée (Têtes à Massacre) / The Bride (Aunt Sallys) (1907)

Classification:

Painting

Materials:

Oil, Paper, Canvas

Physical Object Description:

Inscribed '1907 | G. Rouault' bottom right.

Dimensions:

74.9 x 105.4 cm

Accession Number:

N04799

Credit:

Presented by the Contemporary Art Society, 1935

Scheme:

The Foreign Fund (1924 -1965)

Ownership history:

Gustave Coquiot (1865-1926), Paris; with Bernheim-Jeune, Paris, 1924; with the Independent Gallery, London, 1925; purchased by the Contemporary Art Society, 1926; presented to the Tate Gallery, 1935

Relationship:

Gustave Coquiot Bernheim-Jeune, Paris Independent Gallery, London Percy Moore Turner Tate, London, Liverpool and St Ives

Subject:

Bride, Marriage

Traditionally, in the UK, the 17th-century game ‘Aunt Sally’ was played in pub gardens and at fairgrounds whereby sticks were thrown at a ball or a figure. In France it is called ‘jeu de massacre’. This life-size picture was for years misleadingly called just ‘The Bride’ or when exhibited in 1907 ‘The Bride (puppets)’ until the artist himself changed it in 1953 to ‘Têtes à Massacre’ as he said the bride was not real.

It was purchased by the Contemporary Art Society with its new Foreign Fund from the CAS Hon. Secretary Ivor Spencer-Churchill’s friend Percy Moore Turner’s Independent Gallery, London in 1925. It was accepted by the Tate Gallery 10 years later and 5 years before Rouault’s Les trois juges (The Three Judges) was acquired, also by the Tate, from the Montague Shearman bequest to the CAS.

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