This Modigliani drawing, one of many of his caryatids' studies for carved sculpture (an example of which is in the Museum of Modern Art, New York) was shown at the Leicester Galleries, London in January-February 1944 in an exhibition of the collection the renowned recently-deceased patron and collector, Sir Michael Sadler (1861-1943). It was purchased by the Contemporary Art Society from its Foreign Fund (along with Rouault's watercolour Paysage, 1906) but was not accepted by the Tate Gallery until 1957, maybe due it suffering grease damage, possibly in the artist' studio, and not originally regarded as being museum worthy.