Doing the work: Embedding anti-racism and decolonisation into museum practice

26 July 2022
Front Cover
Front Cover

‘Doing the Work: Embedding Anti-Racism and Decolonisation in Museum Practice’ was a series of seven closed, online workshops for museum professionals that took place in 2021. It was co-produced by Anjalie Dalal-Clayton at the Decolonising Arts Institute (University of the Arts London) and Ilaria Puri Purini at the Contemporary Art Society.

They developed their idea for the series in 2018, recognising: a failure within the museum and gallery sector to dismantle its entrenched racist, imperial structures and practices; a nervousness or reticence by museum workers to ‘talk specifics’, especially in exposing, open forums; and a dire need to begin ‘doing the work’.1 Bearing in mind certain contexts of opposition and resistance that many museum staff find themselves working in, and their need to also consider institutional idiosyncrasies, each workshop was necessarily small, providing participants with an intimate, safe space for focussed conversation where Chatham House Rule applied.

The series was premised on the understanding that it is not possible to produce a one-size-fits-all set of strategies or ‘toolkit’ for embedding anti-racism and decolonisation in museum practice. The onus to develop feasible approaches for doing this work must be on white professionals in the sector. Participants, drawn primarily from the Contemporary Art Society’s museum members, were therefore asked to come prepared to speak generously and candidly about their concerns and experiences, to discuss specific strategies they had trialled where possible, and to offer each other peer support through sharing ideas and offering feedback.

Each workshop focussed on a specific area of museum practice (curating, interventionist strategies, documentation, interpretation, collecting and engagement) and was framed by two presentations given by individuals who have an exemplary track record of implementing anti-racist and/or decolonial practice relevant to the focus of the session. Each workshop was also attended by an early career museum professional who was commissioned to write a discursive account that synthesised and critically reflected on the key areas of discussion, whilst offering anonymity to the participants and institutions involved. Recordings of the framing presentations are available to view on the Contemporary Art

Society and Decolonising Arts Institute webpages, and this publication presents the accounts from the ‘Doing the Work’ series offer a unique insight into the specific concerns and experiences of the museum and gallery sector’s ‘frontline’ workers, surface key commonalities across diverse and wide-ranging institutions, and highlight the urgent tasks facing the sector’s leaders. It is hoped that staff working across all areas and levels within museums can use these reports to inform meaningful, embedded and sustainable changes that will, in turn, begin to dismantle the racist and imperial modes of thinking and doing that underpin most museum practices.


Download Full Book – Anjalie Dalal-Clayton and Ilaria Puri Purini


Download Who and What narratives are on Display? –  Lisa Kennedy


Download  From Institutional Racism to Duties of Care: Moving Interventionist Practices Away from Racism and Colonial Dominance – Sylvia Theuri


Download Documentation as a Site for Critical Decolonial and Anti-Racist Work – Kathleen Lawther


Download A Dangerous Balance: Critical Reflections on the Interpretation of Artworks Khairani Barokka 


Download  Towards Radical Acquisition Futures? Forging Meaningful Change in a Climate of Fragility and Underrepresentation Jessica Lowe-Mbirimi


Download  Collective Care is Different from Self Care: Rethinking Engagement in Art Museums and Galleries in 2021 – Aksana Khan



Stay up to date with the latest news and events and receive our monthly newsletter.


Support Us

Donations of all sizes help sustain emerging artists at the beginning of their careers and ensure that their work has inspirational impact on audiences across the UK