Andrea Büttner

8 July 2015
Andrea Büttner, 'Vogelpredigt (sermon to the birds) (2010)', Woodcut, diptych,  117 x 180 cm. © Andrea Büttner. Photo: Thor Brødreskift.

National Museum Wales

Andrea Büttner (b.1972, Stuttgart, Germany) lives and works in London and Frankfurt am Main. She holds a PhD from the Royal College of Art, London, and since 2012 has been a Professor at Kunsthochschule Mainz, Germany. Solo exhibitions in 2014 included Museum Ludwig, Cologne; Tate Britain, London; National Museum Wales, Cardiff; and Douglas Hyde Gallery, Dublin. Her work was included in Documenta 13, Kassel, Germany and Kabul, Afghanistan and the 29th São Paulo Biennale (2010). 

Büttner’s exhibition Hidden Marriage at Amgueddfa Cymru – National Museum Wales in 2014 brought together two seemingly disparate parts of the Museum’s collection: the drawings of Gwen John and moss from the Museum’s Herbarium. The acquisition of her work, comprising a video, woodcuts and screen-prints, builds on the existing relationship between Büttner’s work and the Museum’s collection. The video Little Works (2007) was filmed in a closed Carmelite order in London. Büttner, unable to enter the convent, enlisted the help of Sister Luke, one of the nuns in the order, who filmed her sisters’ ‘little works’, the small creative projects such  as crocheted bowls, drawings and candles. Grille depicts a partly concealed view into the convent, and likewise represents its inaccessibility to members of the public. Both works have powerful links to Gwen John’s work with closed religious communities some hundred years earlier, which is also in the Museum’s collection. 

Amgueddfa Cymru – National Museum Wales has recently focused on developing their holdings of modern and contemporary art, both in terms of acquisitions and exhibitions. This is in part due to the support of the Wales-based Derek Williams Trust which grant-aid much of the Museum’s post-1900 acquisitions and also acquire work on their own behalf which is then put on long-term loan to the Museum.

Presented by the Contemporary Art Society, with the support of Amgueddfa Cymru – National Museum Wales, and the Derek Williams Trust, 2015


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