Richard Rigg, Reoccurring Rose Garden, at Workplace London
I’ve been having a lot of conversations, these last few weeks, about how to negotiate a world that seems dominated by event-driven enthusiasm for art fairs, versus the old fashioned gallerist’s ‘craft’ of nurturing a stable of artists and presenting considered, coherent gallery exhibitions that introduce bodies of new work.
Ragnar Kjartansson, The Visitors, at The Vinyl Factory Space, London
Take the time to visit the exhibition of Ragnar Kjartansson at the Brewer Street Car Park in Soho, as music and architecture create a rare emotional charge; an aspect typical of this…
Nicholas Byrne, Finish your sentence, at Vilma Gold, London
In approaching the work of Nicholas Byrne, one must first and foremost consider the physicality of his paintings. Yes, they do feature elements of figuration: isolated heads, disembodied lips and…
Mark Flood, American Buffet Upgrade, at Modern Art, London
How to write about Mark Flood? He has created a space from which to be critical of the world, and the art world, that is so slippery it’s incredibly enjoyable to observe.
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