2016

Double Take, installation view, Drawing Room, 2016. Courtesy Drawing Room, photo: Lucy Dawkins.
Friday Dispatch 20 May 2016 By Caroline Douglas

Double Take: Drawing and Photography, Drawing Room and The Photographers’ Gallery

Sarah Lucas, POWER IN WOMAN, Sir John Soane’s Museum London, 10 March – 21 May 2016. Copyright the artist, courtesy Sadie Coles HQ, London and Sir John Soane’s Museum, London. Photo: Julian Simmons
Friday Dispatch 13 May 2016 By Caroline Douglas

Sarah Lucas, POWER IN WOMAN, at Sir John Soane’s Museum, London

Anthea Hamilton, Manarch Pasta (2010-13)
CAS News 12 May 2016 By Marcus Crofton

2016 Turner Prize Shortlist

Congratulations to Anthea Hamilton, Michael Dean, Helen Marten and Josephine Pryde who have been named on the Turner Prize shortlist for 2016.

Tomma Abts, installation view, greengrassi, London, 2016. Photo: Marcus Leith. Courtesy of greengrassi, London
Friday Dispatch 6 May 2016 By Caroline Douglas

Tomma Abts at greengrassi

Currently open at greengrassi in Kennington, London, Tomma Abts’ first show in five years with her London gallery is a must-see.

Angela de la Cruz, Larger than Life, 2004, and Table, 2016, PEER, 2016. Courtesy Angela de la Cruz and PEER. Photo Chris Dorley-Brown.
Friday Dispatch 29 Apr 2016 By Caroline Douglas

Angela de la Cruz, Chris Ofili and London Fieldworks at PEER

John Deakin, Portrait of Francis Bacon c. 1962. © The Estate of Francis Bacon. All rights reserved. DACS 2016. Photo: John Deakin
CAS Recommends 22 Apr 2016 By Marcus Crofton

May 2016

In Birmingham John Stezaker curates an exhibition of his own based around Sir Anthony van Dyck’s last self-portrait, whilst Tate Liverpool opens three unmissable shows at once on 18 May.

Puppets by Franciszka Themerson for KUNG UBU, Marionetteatern, Stockholm, 1964 Photo: Valerie Bennett
Friday Dispatch By Caroline Douglas

Karl Holmqvist, READ DEAR, and Franciszka & Stefan Themerson, Books, Camera, Ubu at Camden Arts Centre

A brilliantly complementary pair of exhibitions featuring artists with a shared love of language.

Lisa Oppenheim, Landscape Portraits (Sassafras) (Version I), 2016. Set of four silver gelatin prints in Sassafras frames, Quadriptych: each part: 61 x 61 cm. Courtesy the artist and The Approach, London.
Artist to Watch 20 Apr 2016 By Christine Takengny

Lisa Oppenheim

Oppenheim delves into the history of photography and redefines its laws of materiality using new technologies.

Hayley Tompkins, Untitled, 2015, Acrylic on found object, Acrylic paint on cotton, 51 x 18 x 10 cm, 59 x 19 x 1.5 cm. Image courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
News By Elizabeth Brooke

Two sculptural works by Hayley Tompkins acquired for Touchstones Rochdale

The acquisition of ‘Untitled’ (2015) and ‘Chair’ (2013) supports the museum’s ongoing programme of using contemporary art to newly contextualise and reinvigorate elements of their social history collection

Sheila Hicks, Tramway, installation view at Glasgow International Festival, 2016. Photo: © Ruth Clark
Friday Dispatch 15 Apr 2016 By Caroline Douglas

Postcard from Glasgow International Festival

Channa Horwitz , 'Time Structure Composition III, Sonakinatography I', 1970, Casein paint on graph paper. Courtesy Estate of Channa Horwitz. Photo by Timo Ohler
Friday Dispatch 8 Apr 2016 By Caroline Douglas

Channa Horwitz at Raven Row, London

Dan Flavin, “monument” for V. Tatlin (1966) Cool white fluorescent light. 10 ft. (305 cm) high © 2016 Stephen Flavin/Artists Rights Society (ARS), New York Courtesy of David Zwirner, New York/London.
CAS Recommends 31 Mar 2016 By Marcus Crofton

April 2016

If you missed Prem Sahib’s acclaimed exhibition at the ICA last year the Grand Union gallery in Birmingham is opening a solo show by the artist this month. Birmingham also sees one of the great American minimalists of the Twentieth century come to Ikon Gallery – Dan Flavin.

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