Materials:Graphite, Ink, Marker pen, Crayon, Paper, Plywood
Accession Number:(OM 1425)
Credit:Presented by the Contemporary Art Society, in association with Art Night 2019, with support from Emma and Fred Goltz and the artist, 2020
Ownership history:Purchased from the artist by the Contemporary Art Society, in association with Art Night 2019, with support from Emma and Fred Goltz and the artist, 2020; presented to Bristol Museum and Art Gallery, 2020
Relationship:Bristol Museum & Art Gallery
Oscar Murillo’s artworks are embedded in social engagement. He has experienced extraordinary success with installations, paintings and drawings that expand the possibilities of mark-making mediums: unravelling the canvas from its stretcher onto the floor and hanging works from ceilings. Murillo often works collaboratively and uses recycled materials within his work. Murillo’s work is powerful and poetic, fusing aesthetics with social and cultural histories. Born in Colombia and emigrating to the UK, the migrant experience often permeates his work through its exploration of in-between, ambiguous and ambivalent sentiments.
Oscar Murillo’s (untitled) poetics of flight works make pointed reference to air travel. Aeroplanes have become a site of production, experimentation and research for the artist. Flying enables Murillo to create work and observe current social conditions through an experimental lens. Starting by etching marks and gestures onto a metal plate. These are then printed onto paper and Murillo works on top, building up layers of imagery and phrases using ink, graphite or crayon. The drawings create a sense of movement, as a manifested stream of consciousness, and become a tangible archive of Murillo’s time spent in the air.
Murillo’s work follows some of the themes explored in the museum’s growing collection of international contemporary art, particularly those of migration and borders. Bristol’s history as a port, involvement in the transatlantic slave trade, the diverse and young population and growing gentrification have all resonated with Murillo, who is interested in histories of labour and movement across urban, rural and transnational contexts. Bristol Museum and Art Gallery curators have also been reflecting on the importance of collecting art that addresses social inequality. 2020 was a significant year for Bristol where campaigns for social and political change were amplified in the media.
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