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Baa's House I (2015)

Hetain Patel

Manchester Art Gallery

Baa's House I (2015)

© Hetain Patel. Photo courtest the artist.

Details

Classification:

Photograph

Materials:

Digital print, Archival paper

Dimensions:

165.1 x 137.2 cm

Credit:

Presented by the Contemporary Art Society with the support of Tara Lal and Mortimer Chatterjee, 2022/23

Ownership history:

Purchased from the artist by the Contemporary Art Society, with support from Chatterjee and Lal, Mumbai, 21 December 2022; presented to Manchester Art Gallery, 2022/23
Hetain Patel employs humour and the tropes of popular culture in his work as a performer and visual artist. He explores the formation of identity through language and physical movement, challenging assumptions of how we look or where we come from. As a child Patel escaped from the racism he experienced into the world of superheros.

In the video To Dance like your Dad (2009) Patel imitates his father speaking about his work. Patel originally captured the footage of his father talking about his coach building factory as a trailer to advertise the business. Upon rediscovering the unused footage, he came up with the idea of restaging it with him performing his father’s words, accent, mannerisms and movements in an empty studio. This work speaks of family relationships and expectations, different generational opportunities, inheritance, work and labour, and the loss of industry and skills. The film led to further collaborations with his father and was also a turning point in terms of how Patel featured his family in his work – not as a representation of something that might be deemed ‘exotic’ by a Western gaze but as enriching familial relationships relatable to everyone.

In Baa's House I (2015), Patel turns the idea of a family photograph on its head. Squatting on a chair next to his seated grandmother, an adult Patel takes on the guise of Spider-Man. He was drawn to Spider-Man as a child, and the way the (self-made) costume covers the wearer’s identity. The artist was born in his grandmother’s house in Bolton and they pose together in the living-room in front of 40 years of family portraits. Whilst this unexpected juxtaposition is initially humorous, underneath is a serious demand for freedom from stereotyping.

Manchester Art Gallery has wanted to acquire work by Patel since his hugely popular 2017 solo exhibition at the Gallery because his work connects and speaks to people of multiple generations and cultural backgrounds. These two works, both made in Bolton, have strong local relevance and connection to the histories and lives of people in Greater Manchester.

All rights reserved. Any further use will need to be cleared with the rights holder. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending is prohibited. The collection that owns this artwork may have more information on their own website about permitted uses and image licensing options.

For further information, please consult our section of our copyright policy.

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