Billie Zangewa’s work is autobiographical and centralises Black femininity, everyday domesticity and motherhood – what the artist has termed ‘daily feminism’. She combines vibrant silks, gems, haberdashery trimmings and other textile pieces in her works. Sweetest Devotion (2021) is a hand-stitched silk collage depicting a quiet scene with Zangewa’s son Mika and his uncle, at home in Johannesburg. They sit comfortably together, lost in their separate activities. It comes from a body of work inspired by the artist’s appreciation for family during Covid and the important role family plays in making her who she is. Mika’s uncle spent the first lockdown with them and was a source of strength and feelings of safety.